Esther M. Zimmer Lederberg
Lady's Coif

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Coif
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It should be recalled that on stage, light could emphasize gestures. Thus mirrors, sequins, glass, metalic-thread were materials which were used in clothing to create illumination. Girandoles (large earrings) were used to illuminate, lending emphasis to the gesturing head. Similarly, rings were used on fingers of the gesturing hand as an illumination device. Neclaces were also used for illumination of the gesturing body. Similarly, fans could illuminate the gesturing hand, masks and hats could illuminate the gestring head, shoes can illuminate the gesturing foot, combs and cauls can illuminate the hair or perukes of the gesturing head, gold or silver thread can illluminate the body (especially royal costumes).

Closely fitting caps with borders ornamented with billiments, frontlets, pastes
biggins ,
billiments ,
cauls (hairnet often of gold or silver, or golden thread: looks like golden or silvered hair),
crépine , creppin, crespin,
flat caps,
lettice caps (of ermine or snow weasel) ,
statute caps ,
bongrace

Hats with brims and crowns
copatain hat (or copintank),
Milan bonnets ,
Monmouth caps ,
thrummed hat

Hoods (head and neck)
French hoods

Decorative bands
fillet ,
paste

Women
barbette with fillet ,
chinclout & cap,
kerchief (cover chief),
wimple

Coif (men and women)
Worn indoors, strings under chin

Miscellaneous
sugar-loaf hat ,
steeple hats ,
buttons,
feathers attached to jewels and gold

Linthicum, M. Channing; "Costume in the Drama of Shakespeare and his Contemporaraies", Russell & Russell, 1963, Chapter XIII

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